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      <image:caption>#1 #2 #4 from the series Constructions, 2019, Jan McCullough, 72cm x 58cm, Framed archival pigment print (dibond mounted)</image:caption>
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      <image:caption>Traces of an Activity, 2021, Susan Connolly, 17.5x12.5x1.5cm, Acrylic on canvas</image:caption>
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      <image:caption>SOCIAL SOLO WOES, 2022, Alex Synge, 105mm (H) x 148mm (W), Hot foiled in one colour onto 540gsm Imperial Blue Colorplan card. Blind debossed on reverse and signed and numbered by artist. Hand printed by Typoretum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/f43f86f7-73fc-4db2-9294-3fe90766a8d2/UPHOLD_2022_-68.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Debris, 2021, Rachael Campbell-Palmer, 65 x 55 x 50mm, Jesmonite AC730 acrylic modified cementitious composite in Silver Grey Granite. Acid-etched surface finish, combined with Polyester casting resin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/ca3ffead-6b0b-4fee-aac5-f1659a172577/UPHOLD_2022_-65.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Get Away From It All, 2022, Katie Watchorn, Poster: 59.4cm (h) x 42cm (w) Cast: Each approx 64cm (L) x 25cm (w), Cast aluminium, colour digital print on 260gsm silk and coated acetate, foil sticker, jubilee clip.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/3956c483-0506-4d53-973e-c8184d56371a/UPHOLD_2022_-61.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Chips with everything, Thomas Wells, installation, Digital prints on china plate, Print on fabric, dimensions variable, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/e6a3c916-22fb-46d5-8013-d7b436ef444c/UPHOLD_2022_-55.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>My mind yields easily, To the unrelenting pressure of the sun, However there are flashes, In front of the sun I fully exist, Bassam Al Sabah, 2021 Archival print on Hahnemuhle Photo Rag</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/83e9680d-0012-4376-a7ff-975c20c9b846/UPHOLD_2022_-28.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Tessellation 04, 2022, Martin Boyle, 37.6cm (h) x 28cm (w), laser engraved birch plywood, acrylic paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/780139ac-bc44-4393-860c-1dea097b69d9/UPHOLD_2022_-44.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Mark McGreevy, Series of paintings, Oil on canvas, dimensions variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/e7f717e2-b254-4335-aa38-41911238a518/UPHOLD_2022_-81.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Exhibition shot, 35DP, Belfast, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/2345082e-ce72-4da3-aef3-897a22413db2/UPHOLD_2022_-87.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Exhibition shot, 35DP, Belfast, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/2e62e26d-ede8-4231-93ba-c0d8102e5418/UPHOLD_2022_-89.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Spilled Milk #7, 2022. Tara McGinn, 17x22x17cm, Terracotta clay, acrylic paint, polymer relief outliner (various), acrylic ink, water based gloss varnish.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/5d43c472-0682-4023-90c9-0d082c690f8e/UPHOLD_2022_-67.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Erroneous Restoration Study #1, John Rainey, Jesmonite and 3D Print, 24 x 9.5 x 6.8 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/b9a2159c-8ba7-4338-bc10-9cc4ac28a514/UPHOLD_2022_-53.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Whereas, 2022, Dorothy Hunter, 34cm (w) x 25.5cm (h), Laser etched copper laminate, frame.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/d9ea25c7-12e7-4b32-aaba-eb3b2d4889ed/UPHOLD_2022_-33.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Silo &amp; Calf Shed, 2015, Jill Quigley, 29.7 x 21cm, Pigment print on perspex.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/a8918348-b87c-406b-8555-3dc1aa285b84/UPHOLD_2022_-34.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Brompton Swim, 2022, Susan Hughes, 49.5cm (h) x 45cm (w), Screenprint and Hi-Vis paint wash on ‘South Bank Smooth’ white 250gsm paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/1af201c4-5293-497c-9f3e-a71016d7e7d8/UPHOLD_2022_-36.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Beer Mats, from The Druthaibs Ball, Array Collective, Turner Prize, The Herbert Coventry Museum, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/a4a6459e-5645-42eb-b4cf-0c8acb077af8/UPHOLD_2022_-37.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Convective Rain &amp; Peach moon, 2022, Hannah Casey Brogan, gouache and pen on Bristol paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/106ebc52-5790-49f3-b735-1bd985fb4810/UPHOLD_2022_-24.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>A series of 13 unique knitted wool pieces mounted on wood, Grace McMurray, Wool, Wooden Board, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/9881567e-20d3-46bc-8514-b6db316ba0bd/UPHOLD_2022_-4.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>DRKTHRNE, 2016, Miguel Martin, 36 x 26.5 cm, Indian ink on watercolour paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/79769a05-7f92-43b7-a28d-6e9e3096508f/UPHOLD_2022_-14.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Ambient Explosion [Camera01_Frame800], Helena Hamilton, Fine Art Giclée Print on Hahnemuhle Photo Matt Fibre paper 200 gsm, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/7a56201c-b4ff-4f8e-a16c-fc0c7d01c631/UPHOLD_2022_-30.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Collections</image:title>
      <image:caption>Scorn Flakes 01, 2022, Sean Greer, 59.4 x 84.1 cm, Giclée print on Hahnemuhle FineArt Hemp 290gsm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/1695934964362-48L162EGKISZELZOFF2K/UPHOLD_2022_-84+%281%29.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://www.householdbelfast.co.uk/uphold-all/uphold-launch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/071733a1-0a83-48fb-8802-ef630c088c72/20220331+Household+Flax+066.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: Residency at Flax</image:title>
      <image:caption>UPHOLD at Flax Project Space, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/64812388-0caa-41cb-9396-4eb932f237a2/20220331+Household+Flax+045.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: Residency at Flax</image:title>
      <image:caption>UPHOLD at Flax Project Space, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/9957f3e4-6269-40d5-85ee-3368bc4cf9a3/20220331+Household+Flax+070.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: Residency at Flax</image:title>
      <image:caption>UPHOLD at Flax Project Space, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/a9e365f8-380d-4a43-bde2-a7eaa0dded08/20220331+Household+Flax+069.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: Residency at Flax</image:title>
      <image:caption>UPHOLD at Flax Project Space, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/f7ef4024-31ca-4ee3-a1cd-37d9bdd6c78f/20220331+Household+Flax+001.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: Residency at Flax</image:title>
      <image:caption>UPHOLD at Flax Project Space, 2022 (Branding &amp; Design by NONGRAPHIC)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/b4ff4376-7ed1-4808-a5ad-cf3af2a88b96/20220331+Household+Flax+044.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: Residency at Flax</image:title>
      <image:caption>UPHOLD at Flax Project Space, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/03b973dc-8315-44a6-a88c-c980f3941202/20220331+Household+Flax+034.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: Residency at Flax</image:title>
      <image:caption>UPHOLD at Flax Project Space, 2022 (Branding &amp; Design by NONGRAPHIC)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/90f6681d-47dc-4cdc-915a-769933577582/20220331+Household+Flax+046.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: Residency at Flax</image:title>
      <image:caption>UPHOLD at Flax Project Space, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/362e874d-8367-49fe-b6df-129639c64e47/20220331+Household+Flax+033.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: Residency at Flax</image:title>
      <image:caption>UPHOLD at Flax Project Space, 2022 (Branding &amp; Design by NONGRAPHIC)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/1697484625065-RIS3ZIK7MF5KH9Q9OCQN/Uphold-35.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://www.householdbelfast.co.uk/uphold-all/uphold-new-collections-hcmcg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/b0296d27-c363-4016-81cd-a3233a55160b/404731822_1104849584035534_1438710899374598593_n.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Comissions</image:title>
      <image:caption>UPHOLD Film Screening: Herb and Dorothy and Launch of new UPHOLD commissions, Ulster Museum, Belfast, June 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/e42368f4-a984-4e2a-a2c6-a11e86816d83/20230811+Uphold+002.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Comissions</image:title>
      <image:caption>Women’s March, Chicago (circles), Joy Gerrard, Giclee print, with watercolour on paper. Commissioned by Household, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/718c2412-bdb9-4079-ba8d-9029f95354d5/20230811+Uphold+017.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Comissions</image:title>
      <image:caption>glitter and sweat, Bassam Al Sabah, C-Type Fuji Pearl. Commissioned by Household, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/48418570-90c1-451e-bf24-0e6e1e4dd91a/404989226_394586932952925_4250708823375171388_n.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Comissions</image:title>
      <image:caption>UPHOLD Film Screening: Herb and Dorothy and Launch of new UPHOLD commissions Ulster Museum, Belfast, June 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/9e264919-bf48-48bd-992c-5509b2da267f/20230811+Uphold+015.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Comissions</image:title>
      <image:caption>The Light Beautiful (II): 13 Rue Des Beaux-Arts, Paris, 2014, Ailbhe Greaney, Photograph printed on archival pigment paper mounted on aluminium Dibond. Commissioned by Household 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/9f6dc27c-a09b-4b7e-950a-650f8c1edd59/20230811+Uphold+023.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Comissions</image:title>
      <image:caption>Put it to the People, London (circles), Joy Gerrard, Giclee print, with watercolour on paper. Commissioned by Household, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/c4fd8edc-c63c-4035-917c-0fb8bd806866/20230811+Uphold+007.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Comissions</image:title>
      <image:caption>Of a Body VII, Majella Clancy, Monotype Screenprint on Munken Smooth (GF Smith Paper) Commissioned by Household, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/0f27017f-943a-492a-a286-7cb8555ed75d/404673163_1119330815682015_6053973959016011095_n.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Comissions</image:title>
      <image:caption>UPHOLD Film Screening: Herb and Dorothy and Launch of new UPHOLD commissions, Ulster Museum, Belfast, June 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/477b44e1-30bc-4508-94cd-d42c5a6ef25a/20230811+Uphold+010.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Comissions</image:title>
      <image:caption>Of a Body VIII, Majella Clancy, Monotype Screenprint on Munken Smooth (GF Smith Paper) Commissioned by Household, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/e8ebb713-1105-4674-992a-1bf743cbff44/20230811+Uphold+028.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Comissions</image:title>
      <image:caption>I can still taste the lake water in my mouth, feel it in my ears, Caoimhín Gaffney, Medium format photograph, Giclée printed on Hahnemühle Photo Rag paper. Commissioned by Household, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/7de3f81a-510c-4468-8efb-ec35cc2738a7/HerbdorothypublicPR.jpg</image:loc>
      <image:title>Uphold All - UPHOLD: New Comissions</image:title>
      <image:caption>Poster by NONGRAPHIC, UPHOLD Film Screening: Herb and Dorothy and Launch of new UPHOLD commissions, Ulster Museum, Belfast, June 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/8204ec7a-4800-41ee-ac27-be99bf281cea/20230811+Uphold+024.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://www.householdbelfast.co.uk/uphold-all/uphold-milk-nectar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/88295441-71ec-47b0-b7d9-c28d993f317c/Screenshot+2024-05-09+at+09.57.52.png</image:loc>
      <image:title>Uphold All - UPHOLD: milk &amp; nectar</image:title>
      <image:caption>Caoimhín Gaffney: 'Emerging too damp to catch fire', 2023. This medium format photograph installed at Bloom Studio florist has been developed by Caoimhín Gaffney as part of a larger body of work reflecting on the restorative power of nature alongside the reality of climate change - and resulting climate anxiety - through a fragmented representation of the landscape. Emerging too damp to catch fire engages a quiet register to examine the subject and is part of a series of photographs shot throughout Ulster; on Rathlin Island; and at Lough Sheelin and its adjoining bog in Cavan. Developed with the support of funding from Platform 31, the University of Atypical, and the Arts Council of Northern Ireland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/1f990e7d-90ed-4f00-affe-612219f777d6/Screenshot+2024-05-09+at+09.56.27.png</image:loc>
      <image:title>Uphold All - UPHOLD: milk &amp; nectar</image:title>
      <image:caption>Bassam Al-Sabah: 'Reaching your wandering to my eye', 2023. These limited edition prints ('Reaching your wandering to my eye' and 'A scream floats among the flowers') installed at Fusco's ice cream shop are stills from the artist Bassam Al-Sabah’s artwork “IT’S DANGEROUS TO GO ALONE! TAKE THIS”, an ambitious 30-minute-long CGI film featuring ever-changing cinematic sequences from an imaginary video game. Combining fantasy, erotica and body horror, it follows the ambiguous “hero” undergoing numerous metamorphoses. “IT’S DANGEROUS TO GO ALONE! TAKE THIS” unravels and challenges the amped-up, constructed masculinity that video game avatars embody, as well as the associated idealistic connotations of progress, growth and transformation. In the film, external worlds merge with internal ones, the body’s selfhood untangles from the surface, and emotions flood in technicolour form.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/88b61736-3958-43e8-a48a-788f680f90c0/Screenshot+2024-05-09+at+09.56.37.png</image:loc>
      <image:title>Uphold All - UPHOLD: milk &amp; nectar</image:title>
      <image:caption>Bassam Al-Sabah: 'A scream floats among the flowers', 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/8478ee3f-2087-41dd-a082-5adbc23fcf17/Screenshot+2024-05-09+at+10.13.52.png</image:loc>
      <image:title>Uphold All - UPHOLD: milk &amp; nectar</image:title>
      <image:caption>Jennifer Mehigan: 'Girls Gone Feral VIII', 2018. The work 'Girls Gone Feral VII', installed at Fusco's ice cream, is part of a series of images originally shown as part of the Royal Hibernian Academy ‘Futures’ exhibition in Dublin in 2018. The opalescent formations depicted in this work were a part of a larger surreal landscape of stretched images of materials such as rhinestones, sequins, latex, leather bridles, and dog leashes. The symbols and textures in Jennifer’s works explore the tensions that exist between interior notions of self and external expressions of identity. ‘Futures’ is a sequence of annual exhibitions curated by the RHA that profiles the work of early-career artists based in Ireland around whom exists a growing critical and curatorial consensus.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/4215521a-5278-41f8-8ced-7d105ef33f7d/Screenshot+2024-05-30+at+11.56.01.png</image:loc>
      <image:title>Uphold All - UPHOLD: milk &amp; nectar</image:title>
      <image:caption>Jan McCullough: 'Garage I' (2011, printed 2021) 'Garage I' is a small framed black and white image of Jan McCullough’s grandfather’s garage workshop. The artist is drawn to industrial places such as workshops, garages, factory floors and sheds, where others construct, assemble and make things, and the rituals and rhythms of the processes that define the work that happens in them. She often uses historical photography archives as starting points to connect with pragmatic and incidental gestures of work and working environments in different neighbourhoods. On the counter in Dawson Wright’s Hardware shop, where 'Garage I' is installed, you can find a new Belfast Collage Workshop kit that Jan has produced together with Household and designer Alex Synge that encourages children to play and imagine new worlds through collage making, using the unique AE McAlpine photographic archive of East Belfast people, streets, and shops.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/f60d8bc9-319c-43d7-a6e5-3aeffe148205/Screenshot+2024-05-09+at+10.21.22.png</image:loc>
      <image:title>Uphold All - UPHOLD: milk &amp; nectar</image:title>
      <image:caption>Jennifer Mehigan: 'Anesthesia Primavera', 2020. Installed at Bloom Studios florist, 'Anesthesia Primavera' is a digital sketch/collage from a larger series of spring flower studies by Jennifer Mehigan. She is currently focused on stories of suppressed Irish lesbian historical figures and exploring their graves as horticultural sites. Through this, she hopes to uncover queer strategies for surviving our crises of kinship and climate.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/5a0bcaab-394f-4fa9-9533-da08bda448c9/Screenshot+2024-05-09+at+10.02.40.png</image:loc>
      <image:title>Uphold All - UPHOLD: milk &amp; nectar</image:title>
      <image:caption>Katie Watchorn: 'Get Away From It All (Cromac St)', 2022 (colour digital print). The title of this work, ‘Get Away From It All’ refers to escapism, holidays or time-off or a retreat from urban centre to the idyllic countryside. Often, the countryside is a place to pass through or to indulge in respite, as opposed to a being considered a highly contemporary place of labour, chaos, and technological development. 'Get Away From It All (Cromac St)' is a digitally layered poster of accumulated research made by the artist while living in Cromac Street in Belfast, installed at Bethany's Fruit Market. It is accompanied by one of a series of 8 unique cast aluminium babla (pearl millet) seed heads. Pearl millet is a domesticated grain that has been grown globally since prehistoric times.</image:caption>
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      <image:title>Uphold All - UPHOLD: milk &amp; nectar</image:title>
      <image:caption>Katie Watchorn: 'Get Away From It All (Cromac St)', 2022 (cast aluminium sculpture)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/b8da796f-8031-4615-9efa-e0facf5d547c/Screenshot+2024-05-30+at+12.26.04.png</image:loc>
      <image:title>Uphold All - UPHOLD: milk &amp; nectar</image:title>
      <image:caption>Locky Morris: 'Floaters', 2023. 'Floaters' and 'showground' are two images from a series of photographs taken by Locky Morris in and around Derry-Londonderry, where he lives and works. Installed at B&amp;M ('Floaters') and next to Two Sisters ('showground'), they represent small encounters that surprise, excite and puzzle him, where often manmade objects intersect and interact with natural and urban environments. His images capture these accidental moments and thereby create deliberate, impromptu sculptural installations that demand attention and elevate the quotidian to the extraordinary.</image:caption>
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      <image:title>Uphold All - UPHOLD: milk &amp; nectar</image:title>
      <image:caption>Locky Morris: 'showground', 2023</image:caption>
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    </image:image>
  </url>
  <url>
    <loc>https://www.householdbelfast.co.uk/uphold-all/uphold-form-follows-function-adpnp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/b5098151-9c06-40b2-ad78-eb52ce777a3f/Screenshot+2024-08-13+at+09.58.13.png</image:loc>
      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>Installation view of works by Ailbhe Greaney, Mark McGreevy, Tara McGinn and Array Collective installed at La Roche House for 'Form Follows Function'</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/a832a656-71cd-4380-8fa7-45d2ca40bfaa/Screenshot+2024-08-13+at+10.00.03.png</image:loc>
      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
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      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'Don't Forget Bins' , 'Time Flies When You’re Alive', Mark McGreevy. Mark McGreevy’s works create possible windows into imaginary worlds and distorted realities, creating visual conundrums, intimate overviews and speculative spaces.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/e4a9fcfa-9317-4e99-a170-74242f4d13ef/Screenshot+2024-08-13+at+10.10.49.png</image:loc>
      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'showground', Locky Morris. This image is part of a series of photographs taken by Locky Morris in and around Derry-Londonderry, where he lives and works. They represent small encounters that surprise, excite and puzzle him, where often manmade objects intersect and interact with natural and urban environments. His images capture these accidental moments and thereby create deliberate, impromptu sculptural installations that demand attention and elevate the quotidian to the extraordinary.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/98fd1cb0-f00f-4c2c-8a9e-6fb590a1da36/Screenshot+2024-08-13+at+09.58.45.png</image:loc>
      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>‘Round the house and mind the dresser’; ‘Bishop’s Knotweed’; ‘The Repeat of the Union’, Array Collective, ‘An Dún’ Range. Array Collective have created three tea towels for this exhibition which are informed by elements of their immersive installation An Dún, commissioned by IMMA, Dublin. Each work features motifs sourced from the installation: rendered pipes reminiscent of handmade instruments; a blueprint featuring drawings of the invasive species Japanese knotweed alongside bishops’ robes; and drawings of pots and ornamental pieces placed within a traditional Irish dresser in the style of a 1920’s catalogue. An Dún plays with domestic tropes such as the ‘Good Room’ and connects these interior spaces of the home to futurist thinking and imaginative world building.</image:caption>
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      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'Spilled Milk # 5' and 'Spilled Milk # 2', Tara McGinn. Tara McGinn's sculptural works in the exhibition connect the subjects of trauma, memory, and identity to the syntaxes of domestic spaces and notions of sentimentality. The work takes McGinn’s family home as a site of information; revealing motifs of trauma, memory and care using storytelling and multimedia through the objects, surfaces and textures of its interiors. The enigmatic sculptures in the Spilled Milk series are each carefully constructed using clay formed in a mould cast from glassware and crockery passed down through the generations as well as plastic food containers the artist collected when caring for their mother in her home.</image:caption>
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      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'Untitled, because I saw a lot of things on tv when I was a kid that I probably shouldn’t have', Tara McGinn</image:caption>
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      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'A Cast Collapse (cut hair from a summer of head lice)', Tara McGinn</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/911a59e9-6e9f-4a4e-88d5-2a10cb7a0260/Screenshot+2024-08-13+at+10.01.59.png</image:loc>
      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>Image of 'Celtic Roots II: Ulster Cycles', Sighle Bhreathnach-Cashell. The aquatint etched prints 'Celtic Roots I &amp; II' are part of an ongoing series ‘Ulster Cycles’. They depict mimetic figures using imagery from celtic, biological and architectural sources. This series translates years of the artist’s unseen drawings into etchings, fusing together personal, national and evolutionary timelines.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/7677012e-fd9a-49e0-9d0c-db9c3a6ac552/Screenshot+2024-08-13+at+10.01.36.png</image:loc>
      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>Works by Sighle Bhreathnach-Cashell, Tara McGinn and Mark McGreevy</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/b32d0360-05d8-4ab7-a245-334b62298079/Screenshot+2024-08-13+at+10.02.31.png</image:loc>
      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>Image of 'Jigs for [the Fabrication and Assembly of] Stool Legs', Jan McCullough. To create the images in the ‘Jigs’ series, Jan McCullough collaborated with a number of fabricators in Belfast to create a series of temporary architectural landscapes using their jigs – wooden custom made shapes that are used as tools to assist in the repeated cutting, placing and securing of their materials – in sculptural installations that she then photographed. The fabricators included scenic construction workers who support the film and TV industry that has come to dominate the East Belfast docklands area in place of more traditional manufacturing industries. Their highly skilled labour involves staging partial cityscapes; slices of town scenes, portions of buildings, etc. Much of their work is to create the unseen structures that underpin the authenticity of the sets. These images are intended as a series of temporary monuments to the inventive nature and evocative gestures of this usually invisible labour, and to a changing city.</image:caption>
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      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'The Light Beautiful (I): 21 Westland Row, Dublin', Ailbhe Greaney. Ailbhe Greaney’s works, The Light Beautiful (II): 13 Rue Des Beaux-Arts, Paris' and 'The Light Beautiful (I): 21 Westland Row, Dublin' attempt to bring the outside inside and make exterior the interior. The images were created in the rooms of Oscar Wilde's birth, 21 Westland Row, Dublin, and death, 13 rue des Beaux-Arts, Paris. Their titles reflect on the feeling Oscar Wilde had for light, as described in Kevin O’Brien’s book, ‘The House Beautiful: A Reconstruction of Wilde’s American Lecture’. Further references include Wilde’s collection of essays, ‘The Decay of Lying’, and poem, ‘The Ballad of Reading Gaol’, writing which touches on the concepts of beauty and mortality central to The Light Beautiful series.</image:caption>
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      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'The Light Beautiful (II): 13 Rue Des Beaux-Arts, Paris', Ailbhe Greaney</image:caption>
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      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>Works by Tara McGinn and Jan McCullough</image:caption>
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      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'She was in my Dream (and then she left again)' and 'A Resting Place – a coffee table to be exact', Tara McGinn</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/35917ac3-deb4-47ea-a942-bb0c922db05c/Screenshot+2024-08-13+at+10.08.40.png</image:loc>
      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>Works by Majella Clancy and Ailbhe Greaney</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/4f62d6b8-a3b7-419d-b082-3cd028fa30b3/Screenshot+2024-08-13+at+10.09.01.png</image:loc>
      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'Of a Body VI', Majella Clancy. Majella Clancy’s works are part of a new, ongoing series of prints that explore ideas of the gendered body and its relationship to place, motherhood and materiality. The prints emerge out of an intensive notebook practice where bodily fragments appear, merge and become activated through the process of making.</image:caption>
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      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>Works by Ailbhe Greaney and Locky Morris</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/c8dcdc4d-467e-4e07-81f5-abc9d0438762/Screenshot+2024-08-13+at+10.09.48.png</image:loc>
      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'Pink Restroom', Mark McGreevy</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/3ef08135-f806-4943-b7c6-69f72970900a/Screenshot+2024-08-13+at+10.10.00.png</image:loc>
      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>Lorraine Burrell’s four staged photographs, 'Collar', 'Egg', 'Bell', and 'Flower' are in part a nod to images within the triptych ‘Garden of Earthly Delights’ by the Flemish Painter Hieronymus Bosch, painted around 1503-1515. The props she makes inside her studio encase and constrain the body in contrast to the wanton abandonment within the central panel of ‘Garden of Earthly Delights’.</image:caption>
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      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'Flower', Lorraine Burrell</image:caption>
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      <image:title>Uphold All - UPHOLD: Form Follows Function</image:title>
      <image:caption>'Toad', Mark McGreevy</image:caption>
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    </image:image>
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    <loc>https://www.householdbelfast.co.uk/uphold-all/uphold-callout</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
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    </image:image>
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    <loc>https://www.householdbelfast.co.uk/artists-in-neighbourhoods-all</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-27</lastmod>
    <image:image>
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    </image:image>
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  <url>
    <loc>https://www.householdbelfast.co.uk/artists-in-neighbourhoods-all/project-six-sz8wl-epran</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-30</lastmod>
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      <image:title>Artists In Neighbourhoods All - The Arbor</image:title>
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      <image:title>Artists In Neighbourhoods All - The Arbor</image:title>
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      <image:title>Artists In Neighbourhoods All - The Arbor</image:title>
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      <image:title>Artists In Neighbourhoods All - The Arbor</image:title>
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      <image:title>Artists In Neighbourhoods All - The Arbor</image:title>
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      <image:title>Artists In Neighbourhoods All - The Arbor</image:title>
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    <loc>https://www.householdbelfast.co.uk/artists-in-neighbourhoods-all/project-six-sz8wl-epran-58ztj-2jnkf</loc>
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    <lastmod>2024-01-30</lastmod>
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      <image:title>Artists In Neighbourhoods All - Out in the Open</image:title>
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    <loc>https://www.householdbelfast.co.uk/artists-in-neighbourhoods-all/project-three</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-27</lastmod>
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      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
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      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/7c1d7f33-2a83-429b-82bb-5a7e531701f7/Screenshot+2024-01-14+at+22.17.28.png</image:loc>
      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
      <image:caption>To Make a Monument - East, 2023: Jan McCullough used the AE McAlpine photographic archive as her starting point for To Make a Monument -East. Albert McAlpine lived most of his life in East Belfast from 1923 - 1995, where he witnessed and recorded the changes that were taking place in his local neighbourhood. During this workshop at the Strand Cinema in East Belfast, together with participants, Jan playfully ‘collaged’ images from the archive and projected the resulting images in a dark room, linking the old cinema site with the streets surrounding it, depicted in the AE McAlpine archive. Image: documentation of the workshop, courtesy of the artist.</image:caption>
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      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
      <image:caption>Image designed by Sean Greer.</image:caption>
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      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
      <image:caption>To Make a Monument, 2022: Saddle quern with rubbing stone, photographer RJ Welch (1920), glass plate negative from the Collection of National Museums NI. Installation view at Whitla Hall, Queen's University Belfast, 2022. Image courtesy of the artist.</image:caption>
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      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
      <image:caption>Image: documentation of the 'To Make a Monument' collage workshop at the Strand Cinema, East Belfast, in June 2023. Courtesy of the artist.</image:caption>
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      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
      <image:caption>To Make a Monument, 2022: Damask tablecloth, photographer unknown, Northern Ireland (1945). Photographic negative from the Collection of National Museums NI. installation view at the graduate school, Queen’s University Belfast, 2022. Image courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/df588419-6794-4a98-80c9-8938b858655d/Screenshot+2024-01-14+at+22.15.01.png</image:loc>
      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
      <image:caption>Image: documentation of the 'To Make a Monument' collage workshop at the Strand Cinema, East Belfast, in June 2023. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/84cc8fe6-7269-4fa1-8461-e01281004010/Copy-of-_DSC3724-1365x2048.jpg</image:loc>
      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
      <image:caption>To Make a Monument, 2022: Pancake machine at Chambers Motor Company, University Street Belfast, photographer A.R. Hogg (1930). Glass plate negatives from the collection of National Museums NI. Installation view at Elmwood Hall, Queen’s University Belfast, 2022. Image courtesy of the artist.</image:caption>
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      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
      <image:caption>Image: documentation of the 'To Make a Monument' collage workshop at the Strand Cinema, East Belfast, in June 2023. Courtesy of the artist.</image:caption>
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      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
      <image:caption>To Make a Monument, 2022: Pancake machine at Chambers Motor Company, University Street Belfast, photographer A.R. Hogg (1930). Glass plate negatives from the collection of National Museums NI. Installation view at Elmwood Hall, Queen’s University Belfast, 2022. Image courtesy of the artist.</image:caption>
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      <image:title>Artists In Neighbourhoods All - To Make a Monument - Jan McCullough</image:title>
      <image:caption>Image: documentation of the 'To Make a Monument' collage workshop at the Strand Cinema, East Belfast, in June 2023. Courtesy of the artist.</image:caption>
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    <loc>https://www.householdbelfast.co.uk/artists-in-neighbourhoods-all/red-sky-at-night</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-11</lastmod>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>The artists, commissioners including the BCC team and British Council, and members of Household - as well as some of the artists included in Household's Community Takeovers commissions - during a group visit and reception with the Lord Mayor at Belfast City Hall in August 2023.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Research image: digital render of dry docks produced by Leandros Ntolas in August 2023 during a two week residency in Belfast. Leandros plans to create a site specific installation responding to a location in Belfast. He will use a multitude of elements, including projections, and interventions with light and sound, to transform the space and create a unique and visceral experience for the visitor. The work will use elements related to the past of Northern Ireland - from prehistory to modern times - and will incorporate symbols and iconography, folktales and myths, to create new connections.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Research image: digital render of the Rotterdam Bar in Sailortown, produced by Leandros Ntolas in August 2023 during a two week residency in Belfast.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/3eced0df-7a1a-4292-b2c8-a8ef9589a845/jd.jpg</image:loc>
      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Sonic Walk facilitated Dr John D'Arcy during artist residency, September 2023</image:caption>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Historic building visits with Household and artist Zuza Golińska during the second residency February, 2024</image:caption>
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      <image:caption>Research notes made by Zuza Golińska during site visits, 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/4a37ec48-9754-4e9a-be51-c6256b9a2602/walk-01.jpg</image:loc>
      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Sketches for play sculpture by artistic duo Irmina Rusicka and Kasper Lecnim, 2024.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Research sketches by Zuza Golińska, 2024</image:caption>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Maquette for a public artwork made by a participant during Zuza Golińska's workshop at the Womens' Tech, North Belfast, 2024</image:caption>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Site visit to Carlisle Circus with Leandros Ntolas, 2024</image:caption>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Maquette for a public artwork made by a participant during Zuza Golińska's workshop at the Womens' Tech, North Belfast, 2024</image:caption>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Site visit to the Lagan Weir underwater tunnel with Leandros Ntolas, 2024</image:caption>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Zuza Golińska's presentation and discussion with Queen's Architecture students, 2024</image:caption>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Site visit to Townsend Street Presbyterian Church with Leandros Ntolas, 2024</image:caption>
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      <image:title>Artists In Neighbourhoods All - Red Sky At Night</image:title>
      <image:caption>Zuza Golińska's presentation and discussion with Queen's Architecture students, 2024</image:caption>
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  </url>
  <url>
    <loc>https://www.householdbelfast.co.uk/artists-in-neighbourhoods-all/project-two</loc>
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    <lastmod>2024-10-01</lastmod>
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      <image:title>Artists In Neighbourhoods All - Community Takeovers</image:title>
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      <image:title>Artists In Neighbourhoods All - Community Takeovers</image:title>
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  </url>
  <url>
    <loc>https://www.householdbelfast.co.uk/artists-in-neighbourhoods-all/project-three-7smwx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-14</lastmod>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Household at the Maritime Festival, 2021: A showcase of work by artists Emily DeDakis, Thomas Wells, Ruth Clinton and Sol Archer opening up the stories of the area and its communities, presented as part of the Belfast Maritime Festival 2021. Image designed by Sean Greer.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Household at the Maritime Festival, 2021: Artist Thomas Wells often uses food and the senses as a way to open up discussion around identity and relationships and to access other times and places. In CHIPS WITH EVERYTHING, they worked with current and former residents of Sailortown to produce a collection of recipes and objects based on conversations and shared memories of growing up in Sailortown. For this event the artist led a walk from the Big Fish to the American Bar and hosted a special meal in collaboration with The Grateful Bread. Photograph taken by Simon Mills.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/1705271780650-CG1GWERPLUY0A7A4O5W6/Household-Shipyard-Slips-02-2048x2048.jpg</image:loc>
      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>The Shipyard Slips, 2020-2021: During lockdown in 2020, a group of people from Sailortown and beyond came together with artist and musician Ruth Clinton to form a digital choir and sing the song The Shipyard Slips (David Wilde 1977). The song is about the decline of the Belfast shipyards and details the hardships and historical events in the area. It references loss and longing for something, a narrative that resonates both with the history of Sailortown and the present day. Household held an audio installation of the work in the historic setting of Sinclair Seamen’s church in September 2021. It was also released online. The audio recording consisted of 22 ghostly voices routed across 6 channels over 6 speakers, which were spread across the 2 stereo channels to give a sense of space. The song can be played by clicking the image. Image designed by Sean Greer.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Sailortown Online Symposium 6 November 2020: an online presentations and discussions attended by over 60 participants to share the experience of collaborating with Sailortown Regeneration, StreetSpace at Queen's University Belfast, and the regeneration teams in the Department for Communities and Belfast City Council Street for a better built-environment in Sailortown. Image: a collage by StreetSpace student.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>'Pass the baby under the donkey', 2020: As part of the project CHIPS WITH EVERYTHING, artist Thomas Wells listened to stories and gathered remedies, cures and recipes from Sailortown’s intergenerational communities of interest and place. Thomas explored the politics of the kitchen table with local women who gather and share wisdom, knowledge, and memories there. These exchanges centred around domestic and private spaces, and the rituals performed in them: On Samhain (31 October 2020), in the atmospheric settings of a local church, Thomas presented an exhibition of installation, sculpture and print, including a table set to host a meal. Selected works on display were activated through scent and included fabrics and plates, and handmade Bartmann jugs or ‘witches jugs’, believed to ward off evil spirits and witches in the 17th century. These reference a tradition of handcraft and forms of female knowledge that have frightened, inspired and been the foundation of our communities for centuries. Image: installation shot taken by Simon Mills of work installed in St. Joseph's Church.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Plates designed by artist Thomas Wells printed with patterns inspired by maps, local children’s drawings, and pictures of the dishes Thomas cooked sourced from local recipes.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/58703430-7cfa-410c-b66c-829bad57d1aa/04-1536x1536.jpg</image:loc>
      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>TWO BY TWO, 2020: A text and audio work commissioned from Belfast-based American writer, dramaturg and producer Emily DeDakis. Over a period of months in between lockdowns, Emily spent time in Sailortown in conversation with Terry McKeown at Sailortown Regeneration; Colin &amp; Trevor at the Seafarers’ Mission; Brendan at Benny’s cafe; the guards at the parking-lot; the staff at the American Bar; and Alastair, a skater at the local skatepark. Created in response to her time in Sailortown, the text can be accessed in PDF form by clicking the image. Image designed by Sean Greer in response to Emily's work.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Vibrant Matter, 2019: a group exhibition of new and existing works by Belfast based artists Jasmin Märker, Jennifer Mehigan, and Jan Uprichard questioning our exchanges with entities that we consider to be non-human; our relationships with our own and others’ intimate existence; and how non-humans experience cities and urban spaces. The exhibition was presented at the local St. Joseph's Church as part of the 2019 NI Science Festival programme. Image: installation shot of Jennifer Mehigan and Jasmin Marker's work.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Dispatches from Futureland screening, 2019: During the 2019 New Lodge Arts Festival, Household presented a film screening of 'Dispatches from Futureland by artist Sol Archer in a pop-up cinema at the Mission to Seafarers in Sailortown. Dispatches from Futureland, set in the near future, quietly explores the automatisation of the docklands in Rotterdam and the simultaneous growth in global trade and loss of local jobs. Northern Ireland Screen Digital Film Archive curated a selection of local archive footage in response to the themes of Dispatches from Futureland, which was shown after the film. Image: still from Dispatches from Futureland, Sol Archer.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Tastes of Sailortown, 2019: Inspired by the stories told by former residents of the tastes of Sailortown’s past, and by what current residents want to eat, artist Thomas Wells developed 'Tastes of Sailortown', a series of workshops for participants of all ages. They worked with young people at Clanmil Housing Association and, together with food educator Clare McQuillan, delivered two workshops for adults that will explore food preparation and knowledge. On the 25th May 2019, as part of the Belfast Maritime Festival, Tom, Clare and Household hosted a free flavour-focused public event at Sailortown's Mission To Seafarers, inviting visitors of all ages to sample dishes and some of the ‘edible stories’ created by the people of Sailortown. Clare spoke about her work as a forager and Household screened food and cooking-related footage from the NI Screen digital archive.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Tastes of Sailortown, 2019: artist Thomas Wells working with Sailortown children</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/188ff73f-43b3-4339-9278-b4977971a5e9/Screenshot-2019-11-15-at-15.39.28.png</image:loc>
      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Sailortown Community Day, 2019: A day-long presentation of local history, stories, creative responses, music, and tours. Students from the Masters of Architecture at Queen’s presented mapped histories of the neighbourhood, and gathered feedback and ideas from residents about its present and possible futures. Sailortown Regeneration provided tours of St Joseph’s Church, a local building undergoing a process of restoration. Artist Thomas Wells served Sailortown-themed refreshments as part of their project exploring taste and memory in the area. Younger visitors were able to imagine and make their own paper cities alongside live music and visuals of some of the previous art projects that have taken place in the neighbourhood. Image designed by Sean Greer.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>2019: Household was part of the Re-Imagining Democracy event at the Imagine: The Belfast Festival of Ideas &amp; Politics 2019 ,where together with the Sailortown Regeneration Group the organisation successfully pitched for money towards a campaign video for the restoration of St Joseph’s Church, a historical church in Sailortown.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Horror Inc. Haunted House, 2018: On Monday 29th October between 6pm and 9pm in Sailotown's St Joseph’s Church, Household, young people living in – and with an connection to – the Sailortown neighbourhood, and a volunteer team guided visitors through an immersive experience collaboratively designed and built by the participants in a series of workshops held in September and October 2018. The theme of the Horror Inc. Haunted House was ‘the city will eat you alive’ and the event playfully explored horror in the context of the rapidly changing and encroaching city at a pertinent time in Belfast’s urban development. The Horror Inc. Haunted House was inspired by workshops with Household’s artist in residence, Sol Archer, part of the artist’s long term project The production of daily life, during which young participants made a horror film. Image designed by Sean Greer.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Horror Inc. Haunted House, 2018: Visitors attending the Horror Inc. Haunted House experience in St. Joseph's church, Halloween 2018. Visitors were welcomed at the reception lounge by Horror Inc. staff, shown a corporate ‘induction’ video, and were led through an ‘enchanted’ forest to the autopsy room. Guided by the animals of Sailortown, they witnessed Dr. Guts and her assistant attempts at resuscitating and dissecting Belfast, followed by a visit to Tom’s hipster human pie shop. Footage from the NI Archive and a cast of suited zombified characters accompanied them along their increasingly frantic journey towards the exit. Photograph by Emma Campbell.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/81965bc2-455c-4e85-9b24-cb69b911baba/Screenshot+2024-01-22+at+21.38.05.png</image:loc>
      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Horror Inc. Haunted House, 2018: In preparation for the Horror Inc. Haunted House experience, Household organised makeup and special effects workshops with industry professionals to teach children new skills that could be used in preparation for the public event.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/1705958902262-PI6EEIV0AOGYTIU7O3YP/Screenshot%2B2024-01-20%2Bat%2B21.54.13.jpg</image:loc>
      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Sailortown Barra, 2018: a weekend of free events organised by Household and Sailortown Regeneration in partnership with Moving On Music, Clanmil Housing Association, The American Bar, New Lodge Arts Festival, and local residents, community groups and businesses. The market reignited a long tradition of community-led events taking place in the streets of Sailortown, bringing together current residents, former residents, workers, visitors, creative practitioners and local community organisations and businesses to learn about the neighbourhood and its history, celebrate the area’s past, present and future. Events included a music trail hosted by Moving on Music, a market-stall making workshop for young people, and a community market with stalls, film screenings and performances, children’s activities, and celebration of Belfast’s Little Italy. Image: the Barra community market, including Barn, an artwork by Paddy Bloomer and Ireland's only nomadic agricultural outbuilding, conceived as an temporary event space where the erection of the venue is as important and sociable as the goings on within. Photograph by Simon Mills.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Sailortown Barra, 2018: people attending the walking tour and music trail, organised with Moving on Music and Sailortown Regeneration</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c8eb9471a0b0659915ba88/118b8175-6b81-4da1-9bef-1ab67f6131dd/Screenshot+2024-01-22+at+22.15.49.png</image:loc>
      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Sailortown Barra, 2018: children and technicians building market stalls for the Sailortown Barra market</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Tuesday Club, 2018-2021: Between 2018 and 2021, Household organised Tuesday Club, a regular club at Clanmil Housing Association for children and young people living in Sailortown's social housing accommodation. Artists and others were invited to design opportunities for creative play, and Household staff organised activities and outings for the children and young people (a group of under 10s and a group of over 10s) attending the club. Image: Sailortown children filming scenes for 'On the production of daily life', a three-year project by artist Sol Archer.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>Tuesday Club, 2018-2021: Activities included set and costume building, script writing, and audio and camera recording sessions. Working as a crew with artist Sol Archer, the group developed their own narratives loosely based around the past, present and future of the area and filmed members of the group’s performances at the Clanmil Housing Association community space and in public spaces across the Sailortown neighbourhood. Their films were presented at the Belfast Barra Market in August 2018, a project jointly delivered by Household, Sailortown Regeneration Group and Clanmil Housing Association, supported by Belfast City Council. Image: young people in Sailortown filming scenes for 'On the production of daily life', a three-year project by artist Sol Archer.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>The production of daily life, 2018-2021: The production of daily life was a multi-annual project designed and delivered by Sol Archer, the first artist invited to participate in Household’s artist-in-residence programmes in city neighbourhoods. From 2018 to 2021, at the invitation of Household, Sol Archer has spent time with and engaged with groups intersecting, identifying, or operating in Sailortown and the surrounding area: elderly former residents, new migrant communities, local grassroots organisations, and children and young people living in local social housing. The production of daily life positions the neighbourhood as a microcosm where histories are memorialised and (re-)enacted; the forces of regeneration and speculation are at play and can be playfully examined, and community and communities are formed and (re-)imagined. This three-year embedded residency programme included workshops, public events and screenings, the creation of a participatory Haunted House experience, documentation of oral histories, and an exhibition, and associated public programme of interviews and discussions, including a custom designed online platform. Image courtesy of Sol Archer.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Sailortown</image:title>
      <image:caption>go beyond art 2017-2018: a student module designed by Household that encouraged Ulster University BA Fine Art students to engage with expanded definitions of public art practice. The module took its title from the first directive of the Situationists International – written by poet, artist, revolutionary thinker, editor, and filmmaker Guy Debord in 1963 – that called for artists to ‘go beyond art’, give up art making with a capital ‘A’ and continue their struggle in non-art fields and everyday life. The module was delivered in public spaces in and around Sailortown and encouraged students to use this fascinating historical Belfast neighbourhood as a starting point for developing their own approaches to Public Art production.The module was delivered by Household in collaboration with the Ulster University teaching staff and Sailortown Regeneration group. Activities included lectures covering brief histories of exemplary local and international public art practices; a history of Sailortown with Terry McKeown from Sailortown Regeneration Group; a Sailortown dérive; an introduction to Artistic Mapping/ Mapping Sailortown; Studio visits with Household for all the participating students; formal presentations of work and group discussions; and an exhibition of work made by students in response to the go beyond art module, exhibited in Sailortown. Image: Guy Debord, Directive no. 1: Go beyond art, June 17, 1963 Oil painting on cloth, Kodak reversal film reproduction (the original was destroyed in a fire) Guy Debord archives, manuscript division, BnF</image:caption>
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  <url>
    <loc>https://www.householdbelfast.co.uk/artists-in-neighbourhoods-all/project-three-77d9m</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-27</lastmod>
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      <image:title>Artists In Neighbourhoods All - Right to the Night - Aisling O'Beirn</image:title>
      <image:caption>Documentation of a charcoal on paper drawing by Aisling O'Beirn. This image was created through a mapping exercise carried out by the artist over a series of months attempting to map her local night sky and the stars that should be visible, but are obscured by light pollution.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Right to the Night - Aisling O'Beirn</image:title>
      <image:caption>Documentation of a drawing that is part of a series of drawings and an animation by the artist illustrating and making visible words associated with light pollution.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Right to the Night - Aisling O'Beirn</image:title>
      <image:caption>Bat survey, September 2023: a public survey of the bat population on Cave Hill, North Belfast, with Connor McKinney of Wild Belfast, an organisation campaigning for local protection and enhancement of biodiversity throughout Belfast. The group located bats in Cavehill Park using bat detection equipment and red light torches in order to not disturb any nocturnal species.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Right to the Night - Aisling O'Beirn</image:title>
      <image:caption>Bat survey, September 2013: Belfast Castle illuminated at night. Following on from the visit to Belfast Castle during the bat survey Aisling conducted together with Connor McKinney from Wild Belfast and local participants, a series of private meetings were held by Aisling, Household and Belfast City Council with the management and staff at Belfast Castle. These meetings resulted in the Castle reducing the levels of light surrounding the castle and grounds in order to protect local nocturnal wildlife.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Right to the Night - Aisling O'Beirn</image:title>
      <image:caption>Launch and screening at the Duncairn, September 2023: Aisling O'Beirn and Household launch Right to the Night at a screening event at the Duncairn Art Centre in North Belfast. Aisling screened past works and a discussion on next steps and ways to take action was held.</image:caption>
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      <image:title>Artists In Neighbourhoods All - Right to the Night - Aisling O'Beirn</image:title>
      <image:caption>Bat survey, September 2023: Aisling O'Beirn and Connor McKinney from Wild Belfast photographed under a street light at the entrance of Cavehill Park. Right to the Night involves the regular mapping and documentation of light pollution in North Belfast and other areas of the city.</image:caption>
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  <url>
    <loc>https://www.householdbelfast.co.uk/artists-in-neighbourhoods-all/project-three-t4csd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-24</lastmod>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City Bus Tour, 2016: An Culturlann to the Falls Road murals. Artist Colin Darke presented an impossible performance based on Trout, a painting made in 1872/73 by the artist Gustave Courbet while imprisoned for his involvement in the Paris Commune, a radical socialist and revolutionary government that ruled Paris from 18 March to 28 May 1871. It depicts a trout on the verge of death after being caught by an angler, an apt metaphor for the brief and bloody uprising. Darke’s audio journey bore a direct relation to places along the route running from the Culturlann to the Falls Road murals. He invited us to imagine the Suicide Awareness centre; the Beehive bar; St Mary’s University College; the Royal Victoria Hospital and St Dominic’s Grammar School; the AOH building; Bobby Sands Mural and the Library relief sculptures; the closed Rebel’s Rest bar; the Jobs &amp; Benefits building, Falls Leisure Centre and the Two Spires shops; and the murals as ‘characters’ as his script unfolded. Darke’s text was narrated by Ricki O’Rawe.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City Bus Tour, 2016: The Falls Road murals to Castle Street. Artist Paddy Bloomer invited participants to imagine the subterranean infrastructure of Belfast, telling the tale of several attempts to find a route from West to East of the city via drains and culverts (an underground pipe structure) – an almost impossible task in a city built on a bog. Over fifteen years ago, accompanied by his fellow explorer Nicholas Keogh, Bloomer entered Belfast’s underworld via the Blackstaff culvert by the side of the Westlink near the Donegall Road, an entrance which has since been blocked up due to redevelopment. Here they encountered muck, detritus, Willie McCrea vinyl records, potentially poisonous fumes and unimaginable sounds. Wading towards a light at the end of a tunnel beneath what could be Divis flats, they are confronted with a gaze from the city above, the source of which to this day remains a mystery.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City Bus Tour, 2016: Wellington Place to Templemore Avenue. Artist Aideen Doran invited listeners to suspend their disbelief completely to envision a dystopian future Belfast as a city submerged – a ruin within a murky lagoon, rich in marine flora and fauna but long vacated by human life. This is an imagined city where asking questions about the potential future for public art is an extraneous exercise. Global warming has reached its inevitable conclusion: sea-levels have risen uncontrollably, the oft-forgotten River Farset has bubbled up from beneath and subsequently swept away High Street, the Lagan has long ago burst its banks, and now, centuries after the Deluge, tourists are taken on subaquatic tours of the area to look for traces of a once-great (but catastrophically short-sighted) ancient civilisation. In this new world, the concept of ‘art’ as we know it, as with the concept of what is ‘public’ has changed so dramatically as to be almost unrecognisable. Doran’s hallucinatory future vision of the city is notably influenced by 1970s science-fiction literature, in particular texts such as J G Ballard’s The Drowned World, where a natural disaster causes a world constructed by mankind to transform into a brutally primitive landscape of unknowable possibilities. Doran’s text was narrated by Bronagh McCrudden.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City Bus Tour, 2016: Templemore Avenue to Sydenham train station. Charlotte Bosanquet revisited an idea that she proposed to the art space Satis House in 2012. Her proposal involved building a scaffold on the side of the building (a domestic house) which would remain for the duration of the show, offering a new view of and from the house and that could be used for a range of activities during the exhibition. The terms of this proposal being rejected as a viable exhibition were based on the potential danger it might cause to those visiting it or living in the house. The artist used this example as a starting point to question the increasing limitations imposed upon artworks in the public realm and examine the ever-changing threshold of what is considered a risk and what is considered safe for audiences as they encounter an artwork. Bosanquet’s text was narrated by Elodie Fabre.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City – Behind the Scenes: Commissioning Public Art, 2016: Members of the sector joined Household at Duncairn Centre for Culture and the Arts in North Belfast for a Public Art Masterclass with Claire Doherty, Director of Situations, the Bristol-based organisation dedicated to commissioning and producing imaginative new forms of public art. Those present included dozens of representatives from across the sector: creative practitioners (artists, writers, poets); academics (from visual arts and film departments); funders (Belfast City Council, Arts Council Northern Ireland, Dublin City Council); organisations (Catalyst Arts, Ulster University, Artists Moving Image Northern Ireland; Platform; Pollen, Flax); independent curators and producers. Claire gave examples of ambitious and successful Situations projects in the public realm and spoke of partnerships and collaborations with commissioners, funders and local authority. In addition to Claire sharing her experience, those in attendance were encouraged to contribute their responses throughout her presentation and in the open discussion that was the focus of the second half of the Masterclass.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City – International to Local: UK Case Studies, 2016: A day of talks held at the Ormeau Park Bowling Green that considered radical artistic, curatorial and institutional approaches to working internationally but remaining embedded locally. Speakers included Alistair Hudson, Director of Middlesbrough Institute of Modern Art (mima), and Sarah McCrory, Director of Glasgow International art festival. Those present included representatives from across the sector: creative practitioners (artists, writers, poets); academics (from visual arts, architecture and film departments); funders (Belfast City Council); organisations (The MAC, Catalyst Arts, Ulster University, Artists Moving Image Northern Ireland, Platform, Pollen, Flax, Golden Thread Gallery); independent curators and producers. The talk, and Q&amp;A following the presentations in which the audience participated, highlighted the importance of institutions in profiling cities, creating infrastructure, supporting local work, and securing international reputations.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City – International to Local: UK Case Studies, 2016: Events such as Glasgow International not only give local and international artists the opportunity to generate and exhibit ambitious new work but also create transformative experiences for other people living and working in city spaces, making them culturally confident and more responsive citizens. During her presentation, Glasgow International Director Sarah McCrory spoke of her work for the festival, a Glasgow City Council funded initiative. She described how the festival has grown year after year with local authority support and through ongoing conversation with the council. She highlighted the fact that the festival always shows cutting edge contemporary art and presents quality thematic programming in partnership with other organisations across the city. With every iteration, there is significant investment in commissioning new work from Scottish and international artists and thanks to this the festival has developed a critically acclaimed international profile. She spoke of the economic benefits of having a high profile visual arts festival in Glasgow and presented some of the financial figures from the inaugural festival in 2010 to 2016.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City – International to Local: UK Case Studies, 2016: For the last decade, Alistair Hudson was the Deputy Director of Grizedale Arts in the Lake District, an organisation which gained critical acclaim for its radical approaches to working with artists and communities, based on the idea that art should be useful and not just an object of contemplation. Hudson was appointed as Director of Middlesborough Institute of Modern Art in October 2014. In his talk in Belfast, Alistair presented his much-discussed approach to programming at mima. He stated that the passive role of the art and the art institution is completely redundant and that art and the institutions that support and present it should above all be useful and strive to be embedded within the local. His vision for mima is based on the concept of the ‘Useful Museum’, an institution dedicated to the promotion of art as a tool for education and social change. The museum and its contents are formed and shaped by its users and it exists as a project or tool.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City – Living &amp; Working Economies: Artists in the City, 2016: Members of the creative and housing sectors joined Household at Lawrence Street Workshops in South Belfast for formal presentations and a discussion about alternative economic models for artists living and working in cities. Speakers included Kamiel Verschuren, founder of the NAC Foundation, Rotterdam; Jon Wakeman, Artistic Director of East Street Arts, Leeds; and Dr Agustina Martire Urquijo, Lecturer in Architecture at Queen’s University, Belfast, who chaired the discussions. Present at the event were people from various professional backgrounds and disciplines: artists, writers, curators, architects (FCB Studios), academics (Queen’s University, Ulster University), property owners (Lawrence Street Workshops), studio managers (FLAX, Platform Arts), and housing organisations (Shelter NI).</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City – Living &amp; Working Economies: Artists in the City, 2016: Our two international guests, Kamiel Verschuren and Jon Wakeman, arrived in Belfast a few days before the event in order to experience first-hand the reality of the urban landscape that (creative) communities live within in Belfast. In advance of the talks at Lawrence Street Workshops we visited and met with representatives in the following spaces and places: Shelter NI, Flax Studios, The Bath House, Skainos Centre, artist Paddy Bloomer's self-built house, and the Skainos Centre.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City – Living &amp; Working Economies: Artists in the City, 2016: During the Living &amp; Working Economies: Artists in the City talks, Kamiel Verschuren delivered a presentation showing the timeline of the development and revitalisation of an area in south Rotterdam, delivered via innovative public art projects and low-cost housing schemes for artists. The south of Rotterdam is considered the poorest area of this city, with a quickly increasing population and rising unemployment rate. It is cut off from the rest of Rotterdam, with physical barriers such as the River Maas as well as social and psychological barriers such as the area’s high, often unintegrated, immigrant population and historically high crime rates. At NAC Foundation, Verschuren has created an alternative economy to employ, fund and house artists in a specific area of Rotterdam. The city’s housing association provides the NAC foundation with rent-free housing in run-down parts of south Rotterdam. Artists and creative practitioners pay a low rental charge to NAC per month to live in these properties, providing NAC with an annual income from approx. 100 rentals. This agreement allows rents to remain low and affordable for artists and creative practitioners but also generates an internal, self-sustaining funding structure. NAC pays the resident artists to undertake the renovations of their respective rented accommodation themselves from the money collected from rents and equates to a substantial annual public investment in the neighbourhood per year. By demonstrating the monetary value of the work carried out, NAC has been able to secure match funding from local government. This income is also used for the MYA fund (Move Your Ass, Mind Your Area), where NAC resident artists can apply for money for their own artistic projects, which must demonstrate some benefit to the local community.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City – Living &amp; Working Economies: Artists in the City, 2016: Jon Wakeman, founding member of East Street Arts in Leeds, described how the organisation has grown over 12 years from a temporary art exhibition in a vacant shop to a charitable organisation with 21 staff, an organisational headquarters, seven venues, 90 studio spaces, four project spaces, a 34-bed hostel and one live/work house, located across Leeds. East Street Arts have created a very successful alternative economy to support their artistic community in Leeds. By purchasing properties for studios they avoid paying money (both their own and cultural funding) to private landlords. This also offers security to artists in the city, whose studio groups are often leased under temporary rental agreements and find that the areas they move into are improved directly/made more desirable by the presence of artists, often resulting in them being priced out. East Street received Arts Council, EU, and Leeds City Council funding in order to buy Patrick Studios, a process that took four years. They also run a rates relief scheme, by using their charitable status to exempt landlords from rates when they agree to let East Street use their buildings. Rates relief has been used in Belfast previously by Household to secure temporary residency projects as part of the the Cathedral Quarter Arts Festival and the studio group Platform Arts currently have a rates relief agreement enabling them to run their studio group and gallery building on Queen Street. In addition to receiving initial investment from funders, East Street Arts also charge landlords to avail of the rates relief they provide, arguing they are providing a service by not only allowing private property owners to save on rates but also often adding value to the building through renovation and positive use.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The Imagined City</image:title>
      <image:caption>The Imagined City – Living &amp; Working Economies: Artists in the City, 2016: Following the talks, Household served refreshments at Lawrence Street Workshops.</image:caption>
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  </url>
  <url>
    <loc>https://www.householdbelfast.co.uk/artists-in-neighbourhoods-all/project-three-a9as4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-02</lastmod>
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      <image:caption>'Surrender Yourself', a project developed by Tonya McMullan and Colm Clarke inviting their neighbours to exhibit a selection of objects which represent them in some way</image:caption>
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      <image:caption>Visitors to 'Surrender Yourself' viewed the work through 'peep holes', accessible via a custom made ramp</image:caption>
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      <image:caption>To contextualise how space in the city is used and to critically examine the connotations of the term ‘home’, Household organised a programme of talks in the Ormeau Road Library. Speakers included Declan Hill from the Forum for Alternative Belfast, who spoke about the distribution of green space and trees in the city and how this can affect inner-city neighbourhoods and their perceived ‘value’. Ray Cashell, Chair of Shelter NI, discussed housing issues and tenants’ rights in rented accommodation. Lynne McMordie and fellow staff members, as well as service users from the Welcome Organisation, a charity addressing the needs of people who are homeless or sleeping rough in the city, spoke about their experiences of homelessness, makeshift housing and what it means to be without the security of a home. A discussion between Eugenie Dolberg – a curator and photojournalist who, as part of the project Open Shutters Iraq, lived and worked with a group of Iraqi women for three months – and Belfast Exposed Director Pauline Hadaway concluded the programme of talks. Their conversation focused on private and public space, and how ‘the private’ and ‘the public’ are jeopardised in both Middle-Eastern and Western society</image:caption>
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      <image:caption>'Input-Output', an exhibition of sculptural installation by Gerard Carson at Satis House, a gallery in a domestic space</image:caption>
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      <image:caption>Documentation of a dance performance by Maeve McGreevy, accompanied by Tom Hughes on cello at the Ormeau Park Bowling Green.</image:caption>
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      <image:caption>Workshops at Ballynafeigh Community centre</image:caption>
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      <image:caption>'Mundane Again' by Deirdre McKenna, an outdoor montage /collage on the gable end of her home</image:caption>
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      <image:caption>A temporary façade of a makeshift house outside the Ormeau Park gates constructed by artist Martin Carter and members of the Lawrence Street Workshops that hosted DJ sets and protested against the restricted use of public spaces.</image:caption>
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      <image:caption>'Remiss' by Colm Clarke, a kinetic sculptural installation in an abandoned, fenced-off building site near his home</image:caption>
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      <image:caption>Sandwich Artist, a project by Alessandra Giacinti included works on paper, stills projection and a sandwich hedge. Visitors met the Sandwich Artist through the kitchen window and they are treated to a freshly made sandwich.</image:caption>
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    <loc>https://www.householdbelfast.co.uk/artists-in-neighbourhoods-all/project-three-77d9m-bnseg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-02</lastmod>
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      <image:title>Artists In Neighbourhoods All - The production of daily life - Sol Archer</image:title>
      <image:caption>Image: 'not only the earth we share' was an exhibition of film and sculptural installation by Household’s artist-in-residence Sol Archer at Golden Thread Gallery (24 April – 29 May 2021). The exhibition was curated by Household and examines the past, present, and future of a small neighbourhood in Belfast called Sailortown. A custom-designed website by NONGRAPHIC allowed viewers to watch extracts of film from the exhibition and other documentation captured by Sol since 2018.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The production of daily life - Sol Archer</image:title>
      <image:caption>Image: still from ,not only the earth we share', a film by Sol Archer developed during his residency</image:caption>
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      <image:title>Artists In Neighbourhoods All - The production of daily life - Sol Archer</image:title>
      <image:caption>Image: edited still designed by NONGRAPHIC for an online platform featuring 'Who Makes the City', a resource of videos and situated conversations led by Sol Archer. It was part of the 'not only the earth we share' exhibition’s public programme and consisted of short commissioned videos inviting thinkers, activists, and practitioners of the urban condition to explore a central theme of the exhibition: who makes the city?It platformed the first iteration of this project with videos introducing the work of leading academics, writers and thinkers Samuel Stein, Brenna Bhandar and Daniel Renwick, Olúfemi O. Táíwò, and Anna Minton and Henrietta Williams. These speakers will discuss their work, research and thinking on city governance and property development; the relationships between property law and colonialism; rights to the city; solidarity, security and freedom; and environmental justice.</image:caption>
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      <image:title>Artists In Neighbourhoods All - The production of daily life - Sol Archer</image:title>
      <image:caption>Image: Edited still from 'Walking the Elephant', a film by anna minton and henrietta williams included in the 'who makes the city' online platform, a resource of videos and situated conversations led by Sol Archer that broadly address how and by whom the city as a condition is determined and continues to change.</image:caption>
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      <image:caption>distill in a tumbler, Sinéad O’Neill-Nicholl, 2025</image:caption>
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